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This is the best-known part, but not the whole of, the Celtic art of the Early Middle Ages, which also includes the Pictish art of Scotland.

Both styles absorbed considerable influences from non-Celtic sources, but retained a preference for geometrical decoration over figurative subjects, which are often extremely stylised when they do appear; narrative scenes only appear under outside influence.

Another huge Greek vessel in the Hochdorf Chieftain's Grave is decorated with three recumbent lions lying on the rim, one of which is a replacement by a Celtic artist that makes little attempt to copy the Greek style of the others.

Figures of animals and humans do appear, especially in works with a religious element.

A case has been made for artistic continuity in Europe from the Bronze Age, and indeed the preceding Neolithic age; however archaeologists generally use "Celtic" to refer to the culture of the European Iron Age from around 1000 BC onwards, until the conquest by the Roman Empire of most of the territory concerned, and art historians typically begin to talk about "Celtic art" only from the La Tène period (broadly 5th to 1st centuries BC) onwards.

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Coinciding with the beginnings of a coherent archaeological understanding of the earlier periods, the style self-consciously used motifs closely copied from works of the earlier periods, more often the Insular than the Iron Age.

The elites of these societies had considerable wealth, and imported large and expensive, sometimes frankly flashy, objects from neighbouring cultures, some of which have been recovered from graves.

The work of the German émigré to Oxford, Paul Jacobsthal, remains the foundation of the study of the art of the period, especially his Early Celtic Art of 1944.

More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples.

The term "Celt" was used in classical times as a synonym for the Gauls (Κελτοι, Celtae). In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic—and Goidelic—speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland.